On the recordвЂ™s ballads, Thicke flexes his falsetto as he croons about the overly plump muse of love.

Fortunately, EvolutionвЂs thoughtful track placement allows these tracks to easily meld into the ensuing and crisp slow jams. Where Thicke fails in party tracks is in his attempts to incorporate unwarranted musical styles, like the salsa jam вЂњEverything I CanвЂ™t HaveвЂќ and the chunk funk on вЂњCocaineвЂќ, the albumвЂ™s only truly unlistenable track.

Rap does have its presence, though, on the tracks вЂњAll Night LongвЂќ and the milked вЂњShooterвЂќ, both featuring LilвЂ™ Wayne, who acts as the perfect rap complement to his newfound soul cousin. The albumвЂ™s fresh single, вЂњWanna Love U GirlвЂќ, may not have the frenetic and electrified feel of his breakthrough, вЂњWhen I Get You AloneвЂќ, but Thicke re-contextualizes his newfound sound into a subtle club banger, which became even more effective on the non-included remix featuring Busta Rhymes. On the bop-a-dop вЂњComplicatedвЂќ, Thicke strikingly outlines the loss of a love interest, while he channels faith in an effort to keep a distant relationship together on the gospel-brushed вЂњCan U BelieveвЂќ. The up-tempo tracks on the album are hot and cold, with some out-of-context tunes jolting the recordвЂ™s flow, but when the songs work, Thicke is at his best. In this way, ThickeвЂ™s album picks up where it has the potential to drag and vice versa, correlating an adequate synchronization with the listenerвЂ™s attention span. The album hinges on this constantly morphing momentum, as Thicke is cognizant of the fact that in rhythm and blues, artists must equally balance their placement of ballads and pumpers. The recurring suspects are heavily filtered rim shots, basement dive-guitar, ride cymbals, and a shaker to match, but instead of using the instruments in a petty and repetitive fashion, Thicke plays with their tempos and styles to stew up a diverse dichotomy of slow jams and sleeper bump tracks. Consequently, Evolution is a typical yet syrupy offering of blue-eyed soul, with songs that are far from breaking new ground but instead propagate what other R&B artists, like Timberlake (who, coincidentally, enlisted Pharrell for the soul-dipped Justified), have already uncovered as musically successful.Д®volution, unlike its predecessor, is considerably piano-based, as Thicke is trained in the art of key-tickling, and most of the tracks consist of the same additional wad of band fodder. The tracks have also gone from spicy to milky, as Thicke has slowed the tempo and focused more on a fuller quality of the pieces. Thicke has shed his aggressive demeanor and adopted the вЂњsoft вЂnвЂ™ sensitiveвЂќ guise, consistently slipping into falsetto a la Justin Timberlake to cement this persona into place. Where Thicke used aggression as the root for his first recordвЂ™s compositions and tone, Evolution reveals his whole new approach to penning and recording songs. This album was repeatedly pushed back by his label for reasons highly suspect (insecurity, perhaps?), but with the single вЂњWanna Love U GirlвЂќ boiling overseas and a core fan base jonesing for a sequel to Beautiful World, Interscope inevitably opted to quietly release Evolution into stores.ДЄlthough The Evolution of Robin Thicke is undoubtedly far from a misnomer, as Thicke has changed in appearance and situation, the music has concurrently gone through a backwardly stylistic digression. In addition to these shifts, the omnipresent Pharrell coaxed Thicke into granting the Neptunes permission to handle the production on his next record. For starters, Thicke began with a public image makeover: he changed his name from simply вЂњThickeвЂќ to his government name, cut off his scraggly hair and coiffed it into a sharp and masculine style, and toned down his in-your-face refutations of riding off of his fatherвЂ™s fame.

A lot has changed for Robin Thicke since the release of his first album, Beautiful World, and his sophomore effort, The Evolution of Robin Thicke.

The evolution of robin thicke